- Dreadout pc having issues with xbox one controller how to#
- Dreadout pc having issues with xbox one controller archive#
Dreadout pc having issues with xbox one controller how to#
The first real combat encounter is with a ghost which is actually referenced in the manual as an example of how to fight. The game plays better with a mouse – although that is a superlative, not an absolute.
However, there is no option to invert the Y axis, and turning around was just too slow on the Xbox controller. The game can be controlled through keyboard and mouse or Xbox controller (and I noted the Steam ‘Owl’ controller in the manual as well, which was a first for me). However, while the exploration very much works, the encounters with the supernatural very much don’t.
Dreadout pc having issues with xbox one controller archive#
In addition to the standard inventory and archive of records found, Linda also maintains a “Ghostpedia” which is an interesting window onto how another culture views the supernatural. There are the inevitable documentary records to discover which fill in some of the back-story or just add colour to the game world. Unlike Daylight, which alternates from safe location to hostile location, DreadOut’s school is a good mix of exploration and dealing with the supernatural, with a certain degree of freedom as to how you approach this. It can be used to light the way, uncover important clues, and reveal supernatural beings – or, rather more importantly, their weak spots.
This is better integrated to the gameplay than, say, Daylight, or that horrible mess Huntsman.
Linda has a mobile phone, which is somehow linked to her newly awakened (or perhaps reawakened) powers. Linda apparently possesses some ‘power’ which manifests as a coloured tinge to the edge of the screen: blue means something important is nearby, and red indicates a supernatural entity. This is part exploration and part survival. Then a short cut scene, more weird shenanigans, and Linda is on her own exploring an abandoned school. I also liked a number of the ways the developers prompt you to infer things: the name of the town is smeared away from the sign which greets you, and one of the boys notices, when passing the gas station: “they had gas for 7 cents!” which I thought a nice way of conveying the age of this deserted place. This allows them a softer edge to the graphical tone, and I liked the ruined buildings half visible in the gloom and the way objects and wreckage loom out of the fog. This is not cutting-edge super-HD big studio graphics, but the developers have instead gone with a pseudo-anime style which is almost reminiscent of cell-shading. Getting lost and winding up in a ghost town is not an original setting, but I am not sure if there are many original settings left anymore what’s more important is what is done with it. There’s more than a little of traditional Japanese anime character archetypes about them, but that is fine, I accept those readily enough in well-done Japanese games, and they are well-acted here too, and genuinely amusing.Ī wrong turn at the highway, a bridge unexpectedly out, and faster than you can say “creepy looking statue” we’re in weird territory. We’re then introduced to the characters: a female teacher and four high school students, two boys and two girls, including protagonist Linda. The contrast to the horror theme of the game is well done.
The game starts with an enthusiastically cheery title song that did make me smile. It is more that once expectations have been set high, disappointment bites all the harder, and after a fantastic start, this game unfortunately lets itself down. I recall reading a newspaper retrospective on the film version of The Exorcist where the journalist authoring the article wondered if the movie’s reputation did it a disservice: for a first time viewer, how could a mere piece of story-telling on celluloid ever live up to that reputation? This is not to say that DreadOut is a hyped or famously scary game on the contrary, it’s a localised-to-English version of an Indonesian game that had the potential to be an unexpected gem.
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